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THE CREATURES TIAMAT
The Creatures of Tiamat are a group of 11 mythical beings found in the Epic of Creation.They are of considerable interest to astrologers because
four of them appear in star-lists as constellations in their own right.In this respect, they bear many similarities to
another group of mythical beings known as the Heroes’,a number of which embody
memories of archaic constellation figures that were removed from the heavens in ages long past.
Along with a host of venomous serpents and ferocious dragons,
the 11 Creatures were created by Tiamat to fight against the gods.Tiamat was an ancient goddess, the embodiment of the primeval oceans, who held sway among men before the arrival of the gods. In the ensuing battle Marduk killed Tiamat, routed her battle-legions and captured her monstrous host.
After the victorious Marduk had bound and imprisoned the Creatures,
he set about constructing a new world-order from the corpses of his slain adversaries.He divided Tiamat’s dead body into two halves from which he created heaven and earth. He then sacrificed Kingu, Tiamat’s battle-leader and lover, and from his spilt blood he created ‘primeval’ man’, the blood of the slain god constituted the ghost of that first man.
However, Marduk was more
lenient towards the 11 Creatures, after binding them and making them subservient to him,
he made images of them and installed them at the gate of the Abyss to commemorate his victory.Ultimately, the purpose of Marduk’s leniency towards the Creatures was to harness their power for benevolent ends. Thus they became ‘protective entities’, whose allotted role was
to guard the entranceways to temples, palaces and houses.So, in addition to affirming Marduk’s supremacy over all creation, the magical function of the Creatures was henceforth
to protect buildings against the incursions of other demons and monsters.
The names and natures of the 11 creatures are as follows:
The Furious Serpent(mušhuššu) is first seen in the artwork of the Akkadian period. It is a composite creature made up from the
parts of a serpent, lion and bird.During its long history it has been associated with various gods, first with Ninazu and Tišpak, later with Ningišzida, Marduk and Aššur. It appears as a constellation in the Old Babylonian ‘Prayer to the Gods of the Night’ (see fig 121).
The Bašmu-serpentis regarded as an early name for the constellation later known as the Serpent. In later artwork the Bašmu is depicted as a horned serpent with two front legs and wings (see fig 120). Its name can be
understood as the ‘horned serpent with a womb’.
The Exalted Serpent(mušmahhu) is sometimes thought to be the same as
the seven-headed serpent slain by Ninurta.In early artwork just such a beast is attacked by a hero who slices off one of its heads (see fig 40). The motif has ultimately
inspired the Greek myth of Heracles’labour against the seven-headed dragon called the Hydra.
The Great Dragon(ušumgallu) might be the 4-legged dragon with wings that appears in some late 3rd millennium artwork. In truth, the attribution is uncertain, as the Great Dragon is often confused with the bašmu-serpent whose name is also derived from Ušum, the Sumerian term for ‘dragon’. The term ‘Great Dragon’ can be used as an epithet of deities and kings where
it means ‘the sovereign’ or ‘sole ruler’.
The Lahāmuappears to be a collective term for a
group of watery beings, half-man, half-fishin appearance. According to creation myths they are primeval beings born from the waters of Tiamat. In later traditions they could be found in the subterranean waters among the entourage of the wise god Enki. Together with Enki they guard the ‘bolt of the sea’ that seems to be related to the abundance of the oceans.
The Great Storm-demon(Ugallu) is a lion-headed demon that first appears in Akkadian art; by the Old Babylonian period he is associated with the gods of the underworld where he is considered to be
a punisher of transgressors and a bringer of disease.Armed with
a mace and an upraised dagger, his appearance is to all intents and purposes identical to
the lion-headed demonknown as Lulal. (see figs 86 & 88)
The Mad Dog(Uridimmu) is a relatively rare figure that is first attested in Kassite art. The Mad Dog, has a human head and torso
set upon a lion’s hindquarters.This precise form is generally considered to be a late invention based on similar composite figures like the Bison-man and Scorpion-man. In later artwork it is
often paired with the Bison-man as an attendant to the sun god
Šamaš.The Mad Dog appears among the constellations
next to the Scorpion, it is ultimately the origin of the Greek constellation
known as the Wolf(Lupus). (see figs 12 & 90)
The Scorpion-man(Girtablilu) first appears in Akkadian art where it is depicted with a human head, bird’s legs,
snake-headed阴茎and a scorpion’s segmented body and tail, in addition some examples also sport wings. From the Kassite period a slightly different figure appears that has the body of a bird and which is sometimes
armed with a bow and arrow, but it is uncertain whether this particular creature can also be called a ‘scorpion-man’. In the artwork of later periods Scorpion-men
commonly appear alongsidethe sun god and
the winged disk.(see figs 97& 117)
The Fierce Storm-demon(Ūma dabrutu) is probably a composite beast that incorporates the
features of a lion, but beyond this its appearance is uncertain. It is sometimes thought that a lion-like creature with the back legs of a bird is an ūma-demon. Such creatures first appear in Akkadian art and are essentially identical to the
depiction of the Panther-constellation.The similarity is reflected in later star- lore where the Panther is sometimes glossed as ūmu nā’iru -
“咆哮”或“咆哮storm-demon”.Such a creature, with
water flowing from its mouth, is occasionally portrayed as the sacred beast of various storm gods. (see fig 102)
The Fish-man (Kulilu) and Fish-womanfirst appear in the artwork of the Old Babylonian period, where they often appear
in pairs wearing the horned headdresses of divinity.They are naturally associated with the water god Enki and are counted among the wise inhabitants that dwell in the
watery Abyss below the earth.(see fig 5 & 6)
The Bison-man(Kusarikku) is a mythical beast derived from the bison. He is generally depicted with a human head and torso, and the hindquarters of a bison. He is
closely associated with the sun godŠamaš in the Akkadian and Old Babylonian periods; and is listed as a constellation in the Old Babylonian ‘Prayer to the Gods of the Night’.
(see figs 10-13)
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THE SLAIN HEROES
The Slain Heroes are a fascinating group of ‘primitive’ gods, demons and monsters that were all killed by the heroic god Ninurta. There is mounting evidence that several of the Heroes were actually worshiped as independent divinities as early as the Early Dynastic period (3100-2390 BCE). Their ‘deaths’ at the hands of Ninurta had certainly occurred by the end of the 3rd millennium as the Gudea inscriptions attest to their collective worship within the cult of Ninqirsu (a local form of Ninurta) around 2100 BCE.
The defeat of the Heroes is widely thought to represent a attempt to absorb their independent worship into the cult of Ninurta, and
may be but a part of a much wider cultic and religious reform that took place in the mid to late 3rd millennium.The most persuasive evidence for this cultic upheaval can be found in Akkadian artwork,
where brutal scenes depicting the slaughter of captive gods abound.
In appendix 2, l have argued that the origins of this ‘war of the gods’ lies in
a substantial reform of the constellations where numerous archaic constellation figures were removed from the star-map to be replaced by newly formed star- figures.
127 A warrior god, possibly Ninurta, slays a one-eyed solar deity, Old Babylonian plaque
In the present state of knowledge, we can only be certain that two of the Slain Heroes - the Anzu-bird and the Bison-man - were indeed ancient constellation figures that were struck from the heavens, but
there is the distinct possibility that several more Heroes were also archaic constellation figures.In fact the Slain Heroes may not be as ‘dead’ as their names imply - as there is reason to believe that some of them
may actually live on in some Greek constellations.I have noted the potential correspondences below.
It is now widely recognised that the myths of the Slain Heroes have
启发至少一些希腊神话被称为the Labours of Hercules.There are some particularly convincing parallels between Hercules’ Labours against the
Hydraand the
Boar of Erymanthia, and their Mesopotamian prototypes known as the Seven-headed Serpent and the Bison-man. This intriguing topic deserves further investigation.
Most mythic texts mention nine heroes, who seem to form some kind of canonical group, however other texts add at least two moreHeroes to their number. Their names and natures, as far as can be discerned, are as follows:
The
Six-headed wild ram(
Šeg9-Sag-6) was slain by Ninurta who ‘brought it forth from the shining, lofty house’. Gudea later
installed the ram at the ‘gate of battle, where the weapons hang’.
The
Warrior Dragon(
Ušum Ur-sag) was ‘brought forth from the great fortress of the mountains’. The Warrior Dragon was sometimes considered to be the counsellor of Tišpak, a warrior god who had a number of serpentine beings among his divine entourage.
(See the section on the Star of Dignity).
The
Magilum boat可能是一艘船与人类头部或身体吗is seen in early artwork. Ninurta ‘brought it forth from ... hi Abyss’. Some modern researchers have suggested that the Magilum boat may be remembered in
the Greek constellation ofArgo
.The evidence in favour of such an attribution is limited and largely depends on some Arabic illustrations of the Argo, which depict it as a ship with human characteristics.
The
Bison-man(
Gud-Alim) was ‘brought forth from Ninurta’s battle dust’. His constellation is
部分记得the GreekCentaurus, but in mainstream Babylonian tradition his constellation was removed from the heavens and replaced by the figure of the Wild Boar. (
See the section on the Bison-man and
figs 10-14)
The
Mermaid(
Kulianna) was ‘brought forth from the limits of heaven and earth’. In the section on Anunitum, I suggest that a memory of Kulianna may be retained on the Greek star-map
in the form of Andromeda.(
See fig 6)
The
White Gypsum(
Nig-Babbar-ra) was brought forth from the soil of the mountain range’.
The
Strong Copper(
Urud-nig2 Kalag-ga) was ‘brought forth from the shattered mountain range’. He appears in the Sumerian poem entitled ‘the debate between Copper and Silver, where he is said to be the ‘strong heir of Father Enlil’. Some commentators have suggested
that Strong Copper was a personified bell, used in later periods in exorcistic rituals.
The
Anzu-bird(
lm-Dugud-mušen) was a
lion-headed eaglewell known in archaic myth and art. Ninurta ‘brought it forth from the
halub-harantree’ (a form of oak). The Anzu-bird’s constellation image was
once located in the region aroundPegasus,but was subsequently replaced by the Horse constellation A memory of the Anzu-bird
may be retained in the Greek star-map in the form ofCygnus, the Swan, whose outstretched wings and trailing feet bear an uncanny resemblance to depictions of
Anzu.(
See the section on the Anzu-bird and figs 7-8)
The
Seven-headed serpent(
Muš-Sag-7 or Mušmahhu) is sometimes seen in early artwork, where it is attacked by a warrior god (
See fig 40). Ninurta ‘brought it forth from the ... of the mountains’.
Among the lesser-known Heroes we also find
Lord Samanana, whose name, according to the lexicon, would mean the ‘Lord of the cosmic tethering rope’. A deity of this name was worshipped in the Early Dynastic period, and in Old Babylonian incantations a monstrous demon called Samana is sometimes mentioned. The little known
Palm-tree kingwas also worshipped in the Early Dynastic period. And one of the Gudea inscriptions also seems to imply that the ‘
Lion, terror of the gods’was included among the Slain Heroes.
The Slain Heroes may not be as dead as the Babylonian sources suggest as some of their number could actually be incorporated into the Greek star-map. The most certain case is that of the Bison-man who lives on, albeit in a modified form, under the Greek name
Centaurus.As mentioned above a memory of the Magilum boat may inform the celestial ship called the
Argo; and it is also possible that the form of
Cygnus, the Greek Swan, is a slightly displaced and modified version of the Anzu-bird.
Beyond the star-map there could be further inherited memories of the Heroes in the corpus of Greek mythology. The most obvious example is the Seven-headed Serpent, which is, no doubt, the precursor of the Greek Hydra. For now the matter needs to be left unresolved - we can only hope that future discoveries concerning the Heroes will throw more light on this intriguing issue.